Journal Volume 30 No.2
On the cover: Mid-morning light. A locked inside edge. Body English born of pure reaction. Some frames just embody the whole big thing. Sam Hawk, Off The Wall, 1975.
Page one is backed by a full tracking of the cover subject’s transformation from Huntington surf rat to Pipeline groundbreaker in the 1970s. Spot studies also abound, including the history of big-wave surfing at South Africa's Sunset Reef and the risk versus reward of surf tripping to a Mexican prison island. Find high-art lessons in an excerpt from celebrated author Paul Theroux’s new surf-centric novel and a page-by-page look at photographer Slim Aarons’ ocean-peripheral work. As to contemporary happenings, a visual roundup from a dozen of the game’s best photographers hits on global action points.
Journal Volume 30 No.2
On the cover: Mid-morning light. A locked inside edge. Body English born of pure reaction. Some frames just embody the whole big thing. Sam Hawk, Off The Wall, 1975.
Page one is backed by a full tracking of the cover subject’s transformation from Huntington surf rat to Pipeline groundbreaker in the 1970s. Spot studies also abound, including the history of big-wave surfing at South Africa's Sunset Reef and the risk versus reward of surf tripping to a Mexican prison island. Find high-art lessons in an excerpt from celebrated author Paul Theroux’s new surf-centric novel and a page-by-page look at photographer Slim Aarons’ ocean-peripheral work. As to contemporary happenings, a visual roundup from a dozen of the game’s best photographers hits on global action points.
