Journal Volume 30 No.4
On the cover: Yes, it’s still out there. Kael Walsh finds just what he’s looking for—and finds it all by himself—at quite possibly the most crowded lineup on Earth: the Superbank.
Peel back the lid, and the issue offers full-breadth in the topic. Wider-culture points abound, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but holding region in Brazil. Tracking the path of a 60s-era luminary and an examination of the title-holder at one of the world’s heaviest waves provide in-depth written portraiture. Where place is concerned, a memoir of an 80s Baja mag trip and a visual study of the seasons and peculiarities of coastal New England set immersive scenes.
Journal Volume 30 No.4
On the cover: Yes, it’s still out there. Kael Walsh finds just what he’s looking for—and finds it all by himself—at quite possibly the most crowded lineup on Earth: the Superbank.
Peel back the lid, and the issue offers full-breadth in the topic. Wider-culture points abound, from an investigation into the seminal artist who first sprayed paint on a surfboard to an overlooked but holding region in Brazil. Tracking the path of a 60s-era luminary and an examination of the title-holder at one of the world’s heaviest waves provide in-depth written portraiture. Where place is concerned, a memoir of an 80s Baja mag trip and a visual study of the seasons and peculiarities of coastal New England set immersive scenes.
